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Ep. 86Twenty-Eight Letters
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Episode 86

Twenty-Eight Letters

Sejong ④ · Hunminjeongeum · 1443
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Previously

Sejong, the fourth king of Joseon, was the third son of King Taejong (Grand Prince Chungnyeong), but because he loved books and thought deeply, he took the throne in 1418 at the age of twenty-two. He gathered young scholars in the Hall of Worthies (Jiphyeonjeon) to publish books, set down farming methods suited to the land of Joseon in the Nongsa jikseol (Straight Talk on Farming), and, with Jang Yeong-sil, who had been born a slave, built the rain gauge to measure rainfall, the Angbu Ilgu sundial that told the time by the sun’s shadow, and the Jagyeongnu water clock that struck its own bell. But after he turned forty, the king suffered from eye disease and all kinds of illness. And one thing had long weighed on his heart.

Characters

SejongFourth king of Joseon
In 1443, aged 47
Queen SoheonSejong’s queen · née Sim
Mother of eight sons and two daughters
Choe Man-riDeputy Director, Hall of Worthies
Submitted a memorial against the new letters
Jeong In-jiScholar of the Hall of Worthies
Wrote the afterword to the Hunminjeongeum
Won’s mother1586, Andong, Gyeongsang Province
A young wife who lost her husband

April 1998, Andong, Gyeongsang Province. That day, old graves were being moved to make way for new housing.

When they lifted the lid of one coffin, a folded sheet of paper lay on the chest of the person inside.

A letter that had lain in darkness for more than four hundred years. It was not written in Chinese characters.

Excavator…It’s Hangul.

The letter began like this — “To Won’s father.”

Those letters had been born 143 years earlier, on a winter night.

The night a king, by lamplight,
studied the shape of his own mouth.

Winter 1443, Gyeongbokgung Palace. Even deep in the night, when everyone was asleep, a light burned late in the king’s chamber.

SejongFourth king of Joseon · age 47
Sejongㄱ… geu…
So the root of the tongue
blocks the throat.

Holding his mouth up to a copper mirror, the king watched where his tongue and lips touched with every sound he made.

Queen SoheonSejong’s queen
Queen SoheonYour eyes are red again.
What is it you write
so intently every night?
SejongThe people’s speech…
letters to write it down
just as it is heard.

In those days, the people of Joseon spoke their own language but wrote in Chinese characters.

Mastering Chinese characters took years of doing nothing but study. To the common people, who farmed and fished, writing belonged to a faraway land.

If you could not write, then even when you were wronged,
you had no way to set down your story and send it up.

Back in 1432, the king had said this to his officials:

Sejong (1432)How much less can simple folk
know whether an offense is great or small
and mend their ways?

Laws might be posted outside government offices, but few people could read them.

The king studied the body as it makes sounds.

The initial-sound letters copied the shape of the mouth and tongue as each sound is made.

ㄱ — the root of the tongue blocking the throat

ㄴ — the tip of the tongue touching the upper gums

ㅁ — the shape of the mouth

ㅅ — the shape of a tooth

ㅇ — the shape of the throat

As a sound grew stronger, a stroke was added.

The medial sounds: heaven (·), earth (ㅡ) and humankind (ㅣ).

Combining the three, he made eleven letters.

Twenty-eight letters in all.

The twelfth month of 1443. The Veritable Records of King Sejong recorded:

This month the king himself created the twenty-eight letters of eonmun, the vernacular script.
The letters are simple, yet their transformations are endless.
They were named “Hunminjeongeum.”

The correct sounds to teach the people — Hunminjeongeum.

On the twentieth day of the second month of 1444, seven scholars led by Choe Man-ri, Deputy Director of the Hall of Worthies, submitted a memorial opposing the new letters.

Choe Man-riDeputy Director, Hall of Worthies
Choe Man-riFor generations our country has served the great nation.
Making a script of our own is what barbarians do,
like the Mongols, Jurchens and Japanese!
Choe Man-riThis vernacular script is but a novel, curious skill.
It hinders learning
and does nothing for government.
What is more, even on your journey to Chosu-ri for your cure,
you devote your mind to the vernacular script.
I fear for Your Majesty’s health.
SejongWasn’t Seol Chong’s idu, too,
meant to make life easier for the people?!
Do you know the rhyme dictionaries?
In the four tones and seven sounds,
how many initials are there?
If I do not set those rhyme dictionaries right,
who will?!

The king had Choe Man-ri and the others locked up at the Uigeumbu, the royal tribunal, and set them all free the next day.

That day, the king also said this:

I am old, and the days are hard to pass;
I only keep books as my companions.

It was not that he loved new things. The king had long been ill, and he knew he did not have much time.

On the twenty-eighth day of the second month of 1444, the king and queen set out together for Chosu-ri in Cheongju. They went to treat the king’s eye disease.

It was a year of bad harvest, so the king kept the procession as small as possible.

The next day, an old man threw himself down before the king’s carriage.

Old manYour Majesty, I have been wronged!
I cannot write,
so I cannot set down
even one page of my plea…
SejongStop the carriage.
Hear what he has to say.

The Veritable Records of King Sejong record that the king had the old man’s grievance looked into and gave him a bolt of cotton cloth.

The spring water of Chosu-ri stung the tongue like pepper, so it was called “Chosu” (椒水), “pepper water.”

That year the king stayed here twice, in spring and in autumn, for more than a hundred days in all.

Queen SoheonAre these really letters?
They look like child’s play.
SejongThe wise can learn them in a morning,
and even the slow
within ten days.
…Then would you like
to try writing, my queen?

The queen took up the brush. She had never written these letters before.

“Nuneul atgisyosyeo.”

Queen Soheon— Please spare your eyes.

For a long time, the king could not put that paper down.

That winter, their fifth son, Grand Prince Gwangpyeong, died at twenty. In the first month of the next year, their seventh son, Grand Prince Pyeongwon, followed him at nineteen.

Having lost two sons one after the other, the queen fell ill and slowly faded.

On the twenty-fourth day of the third month of 1446, the queen died at the home of her second son, Grand Prince Suyang. She was fifty-two.

Queen SoheonPlease spare your eyes.

The king had lost the one who had shared thirty-eight years with him.

百姓爲字便安百姓爲字便安訓民正音

Early in the 9th month of 1446.

The Hunminjeongeum was complete.

Sejong’s prefaceBecause the speech of this country is different from that of China, it does not fit with Chinese characters.

Sejong’s prefaceAnd so many of the simple people, though they have something they want to say, in the end cannot express their thoughts.

Sejong’s prefacePitying this, I have newly made twenty-eight letters.

Sejong’s prefaceI wish only that everyone may learn them with ease and find them convenient for daily use.

Hunminjeongeum — the correct sounds to teach the people

Jeong In-ji, a scholar of the Hall of Worthies, wrote this at the end of the book:

Jeong In-jiScholar, Hall of Worthies
Jeong In-ji’s afterwordThe wise can learn them before the morning is out,
and even the foolish within ten days.
The sound of the wind, the cry of the crane,
a rooster’s crow, a dog’s bark —
all of it can be written down.

1447. The king had his second son, Grand Prince Suyang, write a book in the new letters to pray for the queen’s soul — the Seokbo sangjeol.

And after reading that book, the king composed songs himself.

One moon shines on a thousand rivers.

The king’s songs were called the Worin cheongang jigok — Songs of the Moon Shining on a Thousand Rivers.

It meant that the Buddha’s teaching shines evenly on the whole world, like moonlight.

These were among the earliest songs written in the new letters.

On the palace pond, on the Han River, on the stream outside a nameless village —

The moonlight settled on them all alike.

Three years later, in the second month of 1450, the king died. He was fifty-four.

The king was laid to rest beside his queen, in one tomb.

136 years later.

In 1586, Yi Eung-tae of Andong died at the age of thirty-one. He left behind a little son, Won, and a wife who was carrying their child.

Won’s motherYi Eung-tae’s wife

Before burying her husband, the wife wrote him a letter — in the letters the king had made.

To Won’s father.

Letter from Won’s motherYou always said to me, didn’t you — let us live till our hair turns white, and then die together.

Letter from Won’s motherThen how could you leave me behind and go first?

Letter from Won’s motherWho are little Won and I to lean on, and how are we to live, that you would leave it all and go?

Letter from Won’s motherWhen the child in my womb is born, whom will you have it call father?

Letter from Won’s motherRead this letter, then come into my dreams and tell me everything. I want so much to hear it.

Letter from Won’s motherThere is no end to what I want to say, but the paper has run out, so I will stop here.

Beside the letter lay a pair of mituri, hemp sandals. They had been woven from hemp bark mixed with the wife’s own hair.

She had woven them praying that he would get well, but her husband never got to wear them.

April 24, 1998. For the first time in 412 years, light entered the tomb. Until that day, the letter had lain on her husband’s chest.

Saying that “the simple people, though they have something they want to say, in the end cannot express their thoughts,” the king made the twenty-eight letters.

For more than four hundred years, those letters kept safe
what one person, in the end, had wanted to say.

The letters this story was first written in were born on that winter night, too.

End of Episode 86

History Notes

The scenes in this story are based on these records and sites.

  1. First page of the vernacular (eonhae) edition of the Hunminjeongeum at the beginning of the Worin seokboThe vernacular (eonhae) edition of the Hunminjeongeum at the beginning of the Worin seokbo (1568 reprint) — “나랏말ᄊᆞ미…” (“The speech of this country…”)

    The Twelfth Month of 1443: Twenty-Eight Letters of Eonmun

    The entry for the 12th month of 1443 (the 25th year of King Sejong) in the Veritable Records of King Sejong says that “this month the king personally created the 28 letters of eonmun,” and records that the letters are divided into initial, medial and final sounds that combine to form a syllable, and that, though simple, they can be transformed without end, so they were named “Hunminjeongeum.” The letters were created (changje) in 1443; the book Hunminjeongeum, explaining how the letters work and how to use them, was completed and promulgated (banpo) in the 9th month of 1446. Hangul Day, October 9, is “the first ten days of the 9th month” — the date given in Jeong In-ji’s afterword to the book — converted to the solar calendar.

    Veritable Records of King Sejong, King Sejong, year 25, 12th month · year 28, 9th month
  2. Choe Man-ri’s Memorial and the King’s Reply

    On the 20th day of the 2nd month of 1444, Deputy Director Choe Man-ri of the Hall of Worthies, Jikjehak Sin Seok-jo, Jikjeon Kim Mun, Eunggyo Jeong Chang-son, Bugyori Ha Wi-ji, Busuchan Song Cheo-geom and Jeojangnang Jo Geun submitted a memorial in opposition. They argued that the letters went against the duty of serving the great nation, that idu was enough, that they would hinder learning, and that this was nothing to hurry over, even on the journey to Chosu-ri to treat the king’s illness. The king rebuked them — “Was not Seol Chong’s idu, too, meant to make life easier for the people?” and “If I do not set the rhyme dictionaries right, who will?” — and had the seven locked up at the Uigeumbu, releasing them the next day. Kim Mun, who had gone back on his earlier view, was punished separately, and Jeong Chang-son, who had said that “even if the Samgang haengsil is put into eonmun, people’s character will not change,” was removed from office.

    Veritable Records of King Sejong, King Sejong, 20th and 21st days of the 2nd month of year 26
  3. The King and Queen Go to Chosu-ri

    For the 28th day of the 2nd month of 1444, the Veritable Records of King Sejong record: “The king and queen made a royal progress to Chosu-ri in Cheongju.” For the next day, they record that the king had the case of an old man who cried out his grievance before the carriage looked into, and gave him a bolt of cotton cloth. Because it was a year of bad harvest, the procession was kept as small as possible, and while staying at Chosu-ri the king also gave wine and food to the villagers. He is said to have stayed there twice that year, in spring and autumn, for a hundred-odd days in all. The spring water of Chosu-ri (today’s Chojeong-ri in Cheongju) is naturally carbonated and tingles on the tongue, and the Chojeong Haenggung, a temporary palace, has been rebuilt on the site. The old man’s words are not in the records; they are imagined.

    Veritable Records of King Sejong, King Sejong, 28th and 29th days of the 2nd month and the 3rd month of year 26
  4. Explanation of the initial-sound letters in the Hunminjeongeum Haerye (facsimile)Explanation of the initial-sound letters in the Hunminjeongeum Haerye (facsimile)

    The Shape of the Mouth, and Heaven, Earth and Humankind

    The Hunminjeongeum Haerye (explanations and examples edition) explains that the five basic initial-sound letters were modeled on the shapes of the body as it makes sounds: ㄱ is the root of the tongue blocking the throat, ㄴ the tongue touching the upper gums, ㅁ the mouth, ㅅ a tooth and ㅇ the throat. Strokes were added as the sounds grew stronger, giving ㅋ, ㄷ, ㅌ, ㅂ, ㅍ, ㅈ, ㅊ, ㆆ and ㅎ, while the medial sounds were modeled on heaven (·), earth (ㅡ) and humankind (ㅣ) and combined. Of the original twenty-eight letters, four — · (arae-a), ㆁ (yet-ieung), ㆆ (yeorin-hieut) and ㅿ (banchieum) — are no longer used. The Haerye edition surfaced in Andong around 1940 and was kept safe by Gansong Jeon Hyeong-pil; in 1997 it was inscribed on UNESCO’s Memory of the World Register.

    Hunminjeongeum Haerye, “Explanation of the Design of the Letters” (Jejahae) · Encyclopedia of Korean Culture
  5. First page of the Worin cheongang jigokFirst page of the Worin cheongang jigok

    Queen Soheon and the Worin cheongang jigok

    Queen Soheon of the Sim clan (1395–1446) married Grand Prince Chungnyeong in 1408. After Sejong became king, her father, Sim On, was put to death by King Taejong and her family was ruined, but she kept her place as queen. She bore eight sons and two daughters. After losing Grand Prince Gwangpyeong in the 12th month of 1444 and Grand Prince Pyeongwon in the 1st month of 1445, one after the other, she died at the home of Grand Prince Suyang on the 24th day of the 3rd month of 1446. Sejong had Grand Prince Suyang compose the Seokbo sangjeol to pray for the queen’s soul, and after reading it he himself composed the Worin cheongang jigok, songs praising the virtues of the Buddha (1447). Both are among the earliest books written in the new letters. The Worin cheongang jigok was laid out with the Hangul in large type and small Chinese characters beside it, so that the Hangul would be read first.

    Veritable Records of King Sejong · Encyclopedia of Korean Culture
  6. Aerial photo of Yeongneung in Yeoju (joint tomb of Sejong and Queen Soheon)Yeongneung in Yeoju (joint tomb of Sejong and Queen Soheon)

    Yeongneung: Two People in One Tomb

    Sejong died in 1450 and was buried in the same tomb as Queen Soheon, who had gone before him. He was first laid to rest west of Heolleung, below Mt. Daemosan in what is now Seocho-gu, Seoul, and in 1469 (the 1st year of King Yejong) the tomb was moved to what is now Yeoju in Gyeonggi Province. It is a joint tomb in which the king and queen rest together under a single mound. In 2009 it was inscribed as a UNESCO World Heritage Site together with the Royal Tombs of the Joseon Dynasty, 40 in all.

    Encyclopedia of Korean Culture · Korea Heritage Service
  7. Hangul letter written by Won’s mother to her husband, Yi Eung-tae (1586)Hangul letter written by Won’s mother to her husband, Yi Eung-tae (1586)

    Letter from Won’s Mother

    On April 24, 1998, a team from the Andong National University Museum, moving graves in Jeongsang-dong, Andong, to make way for housing, opened the tomb of Yi Eung-tae of the Goseong Yi clan, who had died at 31. On his chest lay a Hangul letter beginning “원이 아바님ᄭᅴ” (Woni abanimkkui, “To Won’s father”), written by his wife on the first day of the 6th month of 1586, the byeongsul year. When she ran out of paper, she went on writing densely, turning the sheet to fill its margins. The mituri (hemp sandals) found beside him were woven from hemp bark mixed with hair; judging from the writing on the paper they were wrapped in, they are thought to have been made by his wife as she prayed for her husband’s recovery. The letter in this episode is a short rendering of the original’s meaning in today’s language.

    Andong National University Museum · Encyclopedia of Korean Culture
  8. What We Imagined

    The king studying the shape of his mouth in a copper mirror, the words the king and queen exchanged by lamplight, and “누늘 앗기쇼셔” (nuneul atgisyosyeo, “please spare your eyes”), the first words the queen wrote in the new letters at the temporary palace at Chosu-ri, are not in the records. The records tell us that the king and queen went to Chosu-ri together, that the king’s eye disease was serious, and that after losing the queen the king made a book and songs in the new letters to pray for her soul. A family genealogy also relates that Princess Jeongui helped refine the letters, but this episode does not cover it.

    Veritable Records of King Sejong · Juksan An-ssi daedongbo (Genealogy of the Juksan An Clan)

Key Words of This Episode

Coming up next · Coming soon

Episode 87 · From the Amnok to the Tumen

On the northern frontier, the hoofbeats of the Jurchen never ceased. Choe Yun-deok and Kim Jong-seo set up the Four Counties and Six Garrisons along the Amnok and the Tumen — and the border we know today is drawn.

Photo credits

All illustrations in this webtoon are original. Character names and dialogue are imaginative reconstructions based on historical facts and research. Dates and interpretations follow mainstream scholarship; where scholars disagree, the History Notes say so.